Depth Three
Peščanik 22.01.2025 | Saša Ilić
The Cleansing of Undesirable Art in Serbia There have not been many films or works of art in general produced in Serbia after 2000, with the aim of critically examining the recent wartime past.
They can be counted on the fingers of one hand. Even when some of them succeeded abroad, they were sidelined or marginalized at home. The decisive role in this was played by the state, its institutions, the media, party personnel, the cultural establishment, and a wide front of volunteer bots. I will attempt to illustrate some of the mechanisms used to bunker undesirable film production by examining the reception of the works of Ognjen Glavonić, one of the most
